| lei 的个人资料-Unknown Pleasures照片日志列表 | 帮助 |
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7月26日 汾阳江湖![]() ![]() 在汾阳三天.走了很多地方,那直观的感受让我不得不佩服贾导的第一直觉,那里人们的状态和四处弥散的江湖气早已呈现在老贾的影片里. 我身后的图书馆正是当年<站台>里那帮青年的排练场所.它周围已被拆的面目全非.
在小雨里,只有它静静地矗立在那里,等待着我们的到来.仿佛什么在消失,什么又在继续... 7月12日 一二一, 一二一.![]() 爸爸妈妈回去了 我很失落/在北京西站 我接连买到两盒假烟/陪ZQ买彩票 我没买 我终于忍住了 他请我吃肉 /WY还住在南边 他不愿意回德胜门/ZX回了河南 电话里他说英语 真好听/西河星汇打来电话 提醒了我快要忘记的事情/终于能上网了 四个现代化里只有YS和JWY在线 /WJ和HB一直说辛苦了 我很惭愧/LX把小河送他的CD给我听 他在深夜带回来一只小狗,叫什么名字好呢?
一二一 一二一!
7月2日 Broken Time![]() 杨德昌先生去世了,他的<恐怖分子>,<青梅竹马>,<海滩的一天>,我还没有看.
Film director and screen writer, Edward Yang was born in China, raised in Taiwan. He was an accomplished Manga (Japanese style comics) artist at the age of 12. He chose to pursue science and technology, and went on to earn advanced degrees in Electrical Engineering in the US. Following a career in micro-computer design in Seattle, Yang returned to Taipei in 1981 to realize his life-long dream of becoming a filmmaker. The first film project he participated as writer/director, In Our Time (1982), is recognized as the ground breaking film for the Taiwan New Wave. He has since worked in film and theatre. The award winning feature films he made include That Day, on the Beach (1983), Taipei Story (1985), The Terroriser (1986), A Brighter Summer Day (1991), A Confucian Confusion (1994), Mahjong (1996), and Yi Yi (1999), which won him the Best Director's prize in Cannes 2000... |
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